Dataset Information

The time course of visual information accrual guiding eye movement decisions.

ABSTRACT: Saccadic eye movements are the result of neural decisions about where to move the eyes. These decisions are based on visual information accumulated before the saccade; however, during an approximately 100-ms interval immediately before the initiation of an eye movement, new visual information cannot influence the decision. Does the brain simply ignore information presented during this brief interval or is the information used for the subsequent saccade? Our study examines how and when the brain integrates visual information through time to drive saccades during visual search. We introduce a new technique, saccade-contingent reverse correlation, that measures the time course of visual information accrual driving the first and second saccades. Observers searched for a contrast-defined target among distractors. Independent contrast noise was added to the target and distractors every 25 ms. Only noise presented in the time interval in which the brain accumulates information will influence the saccadic decisions. Therefore, we can retrieve the time course of saccadic information accrual by averaging the time course of the noise, aligned to saccade initiation, across all trials with saccades to distractors. Results show that before the first saccade, visual information is being accumulated simultaneously for the first and second saccades. Furthermore, information presented immediately before the first saccade is not used in making the first saccadic decision but instead is stored and used by the neural processes driving the second saccade.

SUBMITTER: Caspi A

PROVIDER: S-EPMC516521 | biostudies-literature | 2004 Aug

REPOSITORIES: biostudies-literature

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The time course of visual information accrual guiding eye movement decisions.

Caspi Avi A Beutter Brent R BR Eckstein Miguel P MP

Proceedings of the National Academy of Sciences of the United States of America 20040823 35

Saccadic eye movements are the result of neural decisions about where to move the eyes. These decisions are based on visual information accumulated before the saccade; however, during an approximately 100-ms interval immediately before the initiation of an eye movement, new visual information cannot influence the decision. Does the brain simply ignore information presented during this brief interval or is the information used for the subsequent saccade? Our study examines how and when the brain ...[more]

PMID: 15326284

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Project description:The aim of this study was to search for oculomotor correlates of expertise in visual arts, in particular with regard to paintings. Achieving this goal was possible by gathering data on eye movements of two groups of participants: experts and non-experts in visual arts who viewed and appreciated the aesthetics of paintings. In particular, we were interested in whether visual arts experts more accurately recognize a balanced composition in one of the two paintings being compared simultaneously, and whether people who correctly recognize harmonious paintings are characterized by a different visual scanning strategy than those who do not recognize them. For the purposes of this study, 25 paintings with an almost ideal balanced composition have been chosen. Some of these paintings are masterpieces of the world cultural heritage, and some of them are unknown. Using Photoshop, the artist developed three additional versions of each of these paintings, differing from the original in the degree of destruction of its harmonious composition: slight, moderate, or significant. The task of the participants was to look at all versions of the same painting in pairs (including the original) and decide which of them looked more pleasing. The study involved 23 experts in art, students of art history, art education or the Academy of Fine Arts, and 19 non-experts, students in the social sciences and the humanities. The experimental manipulation of comparing pairs of paintings, whose composition is at different levels of harmony, has proved to be an effective tool for differentiating people because of their ability to distinguish paintings with balanced composition from an unbalanced one. It turned out that this ability only partly coincides with expertise understood as the effect of education in the field of visual arts. We also found that the eye movements of people who more accurately appreciated paintings with balanced composition differ from those who more liked their altered versions due to dwell time, first and average fixation duration and number of fixations. The familiarity of paintings turned out to be the factor significantly affects both the aesthetic evaluation of paintings and eye movement.

Dataset Information

The time course of visual information accrual guiding eye movement decisions.

Publications

The time course of visual information accrual guiding eye movement decisions.

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