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An analysis of the foot in turnout using a dance specific 3D multi-segment foot model.


ABSTRACT: Introduction:Recent three-dimensional (3D) kinematic research has revealed foot abduction is the strongest predictor of standing functional and forced turnout postures. However, it is still unknown how the internal foot joints enable a large degree of foot abduction in turnout. The primary purpose of this study was to use a dance specific multi-segment foot model to determine the lower leg and foot contributions to turnout that female university-level ballets use to accentuate their turnout. Methods:Eighteen female dance students (mean age, 18.8?±?1.6?years) volunteered for this study. Retro-reflective markers were attached to the dancers' dominant foot. Each dancer performed three repetitions of functional turnout, forced turnout and ten consecutive sautés in first position. Repeated measures ANOVA with Bonferroni adjustments for the multiple comparisons were used to determine the kinematic adjustments, hindfoot eversion, midfoot and forefoot abduction, navicular drop (i.e. lowering of the medial longitudinal arch) and first metatarsophalangeal joint abduction between natural double leg up-right posture and the first position conditions. Results:Hindfoot eversion (4.6°, p?

SUBMITTER: Carter SL 

PROVIDER: S-EPMC6360724 | biostudies-literature | 2019

REPOSITORIES: biostudies-literature

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An analysis of the foot in turnout using a dance specific 3D multi-segment foot model.

Carter Sarah L SL   Bryant Alan R AR   Hopper Luke S LS  

Journal of foot and ankle research 20190204


<h4>Introduction</h4>Recent three-dimensional (3D) kinematic research has revealed foot abduction is the strongest predictor of standing functional and forced turnout postures. However, it is still unknown how the internal foot joints enable a large degree of foot abduction in turnout. The primary purpose of this study was to use a dance specific multi-segment foot model to determine the lower leg and foot contributions to turnout that female university-level ballets use to accentuate their turn  ...[more]

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