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Psycho-Historical Contextualization for Music and Visual Works: A Literature Review and Comparison Between Artistic Mediums.

ABSTRACT: A significant contribution to the literature on aesthetics in the last decade has been Bullot and Reber's ecologically-driven psycho-historical framework for the science of art appreciation (PHF). The framework proposes that the presence of contextualizing information accompanying an artwork will impart a substantial impact on appreciation for it, which is accessible through understanding of the causal information surrounding the work. Artistic understanding is outlined in terms of three hierarchical "modes" of appreciation. This paper tested a simplified hypothesis drawn from the PHF, using results reported in the existing literature. As Bullot and Reber note that such a framework is relevant for any artistic medium containing causal information, results were drawn from literature concerned with either music or visual works. Our review identified 34 studies that reported results of appreciation (or equivalent) as a dependent variable, while manipulating contextual/historical information for the stimuli as an independent variable. Overall the results were consistent across the two artistic mediums: 9 experiments (26%) produced strong support for the PHF, 6 experiments (18%) produced inconclusive results, and 19 experiments (56%) produced no support for the PHF. We concluded that the majority of the reviewed literature does not support the simplified PHF hypothesis for either medium. However, we also discuss a number of limitations surrounding these studies which may have produced a substantial impact on the categorization results: small sample sizes in some studies, difficulty in translating philosophically-based theory into empirical practice, and interactions with variables such as exposure and "unusualness."

SUBMITTER: Chmiel A

PROVIDER: S-EPMC6389697 | biostudies-literature | 2019

REPOSITORIES: biostudies-literature

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Psycho-Historical Contextualization for Music and Visual Works: A Literature Review and Comparison Between Artistic Mediums.

Chmiel Anthony A Schubert Emery E

Frontiers in psychology 20190219

A significant contribution to the literature on aesthetics in the last decade has been Bullot and Reber's ecologically-driven <i>psycho-historical framework for the science of art appreciation</i> (PHF). The framework proposes that the presence of contextualizing information accompanying an artwork will impart a substantial impact on appreciation for it, which is accessible through understanding of the <i>causal information</i> surrounding the work. Artistic understanding is outlined in terms of ...[more]

PMID: 30837907

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Project description:The present literature review investigated how pleasure induced by music and visual-art has been conceptually understood in empirical research over the past 20 years. After an initial selection of abstracts from seven databases (keywords: pleasure, reward, enjoyment, and hedonic), twenty music and eleven visual-art papers were systematically compared. The following questions were addressed: (1) What is the role of the keyword in the research question? (2) Is pleasure considered a result of variation in the perceiver's internal or external attributes? (3) What are the most commonly employed methods and main variables in empirical settings? Based on these questions, our critical integrative analysis aimed to identify which themes and processes emerged as key features for conceptualizing art-induced pleasure. The results demonstrated great variance in how pleasure has been approached: In the music studies pleasure was often a clear object of investigation, whereas in the visual-art studies the term was often embedded into the context of an aesthetic experience, or used otherwise in a descriptive, indirect sense. Music studies often targeted different emotions, their intensity or anhedonia. Biographical and background variables and personality traits of the perceiver were often measured. Next to behavioral methods, a common method was brain imaging which often targeted the reward circuitry of the brain in response to music. Visual-art pleasure was also frequently addressed using brain imaging methods, but the research focused on sensory cortices rather than the reward circuit alone. Compared with music research, visual-art research investigated more frequently pleasure in relation to conscious, cognitive processing, where the variations of stimulus features and the changing of viewing modes were regarded as explanatory factors of the derived experience. Despite valence being frequently applied in both domains, we conclude, that in empirical music research pleasure seems to be part of core affect and hedonic tone modulated by stable personality variables, whereas in visual-art research pleasure is a result of the so called conceptual act depending on a chosen strategy to approach art. We encourage an integration of music and visual-art into to a multi-modal framework to promote a more versatile understanding of pleasure in response to aesthetic artifacts.

Project description:Chinese civilization has a long history, and the Central Plains, with Henan as the core, is one of its birthplaces. Understanding the psycho-linguistic changes in Henan is of great significance for understanding the evolution and formation of national cultural psychology. The traditional method is mainly qualitative or speculative, which makes the consistency among the research results low. Moreover, because most of the research are conducted in a specific period or on a specific figure, they are relatively scattered and unsystematic. To systematically and quantitatively study the psychological changes in the Central Plains represented by Henan Province, this article aimed to examine the self-reported discourses of historical celebrities in Henan in official history and their psycho-linguistic changes based on the classical Chinese Linguistic Inquiry and Word Count (classical Chinese LIWC, CC-LIWC) psycholinguistic dictionary and the classical Chinese words segmentation system, using big data. The research found that the frequency of male words in Henan historical celebrities (F = 2.938, p < 0.05), of differ words (F = 4.767, p < 0.01), of motion words (F = 4.042, p < 0.01), and of time words (F = 5.412, p < 0.01) are significantly different among the five dynasties. The conclusion is that during the Spring and Autumn and the Warring States periods, 100 schools of thought contended, and the status of "scholars" in Henan rose. The frequency of male and differ words was at that point significantly higher than during the other dynasties. From "The Contention of a Hundred Schools of Thought" to "The Supremacy of Confucianism," the scholars in Henan were in decline, and differential cognitive tendencies had diminished since the Han dynasty. During the period of the Three Kingdoms and Jin and Southern and Northern Dynasties, political powers and territories changed, and the historical celebrities in Henan show a remarkable tendency that were related to time and space. The psycho-linguistic changes found in this study are highly consistent with the development of social history, which indicates that the guidance of the social, political, and cultural environment has an important influence on the psycho-linguistic changes of social class. This is the first time that the text analysis system has been applied in classical Chinese to carry out quantitative research on the psycho-linguistic changes of ancient Chinese people, which provides new ideas and new methods for humanistic research.

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Psycho-Historical Contextualization for Music and Visual Works: A Literature Review and Comparison Between Artistic Mediums.

Publications

Psycho-Historical Contextualization for Music and Visual Works: A Literature Review and Comparison Between Artistic Mediums.

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