Dataset Information

Decomposing Complexity Preferences for Music.

ABSTRACT: Recently, we demonstrated complexity as a major factor for explaining individual differences in visual preferences for abstract digital art. We have shown that participants could best be separated into two groups based on their liking ratings for abstract digital art comprising geometric patterns: one group with a preference for complex visual patterns and another group with a preference for simple visual patterns. In the present study, building up on these results, we extended our investigations for complexity preferences from highly controlled visual stimuli to ecologically valid stimuli in the auditory modality. Similar to visual preferences, we showed that music preferences are highly influenced by stimulus complexity. We demonstrated this by clustering a large number of participants based on their liking ratings for song excerpts from various musical genres. Our results show that, based on their liking ratings, participants can best be separated into two groups: one group with a preference for more complex songs and another group with a preference for simpler songs. Finally, we considered various demographic and personal characteristics to explore differences between the groups, and reported that at least for the current data set age and gender to be significant factors separating the two groups.

SUBMITTER: Gucluturk Y

PROVIDER: S-EPMC6457315 | biostudies-literature | 2019

REPOSITORIES: biostudies-literature

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Publications

Decomposing Complexity Preferences for Music.

Güçlütürk Yaǧmur Y van Lier Rob R

Frontiers in psychology 20190403

Recently, we demonstrated complexity as a major factor for explaining individual differences in visual preferences for abstract digital art. We have shown that participants could best be separated into two groups based on their liking ratings for abstract digital art comprising geometric patterns: one group with a preference for complex visual patterns and another group with a preference for simple visual patterns. In the present study, building up on these results, we extended our investigation ...[more]

PMID: 31001167

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Project description:Music is difficult to access for the majority of CI users as the reduced dynamic range and poor spectral resolution in cochlear implants (CI), amongst others constraints, severely impair their auditory perception. The reduction of spectral complexity is therefore a promising means to facilitate music enjoyment for CI listeners. We evaluate a spectral complexity reduction method for music signals based on principal component analysis that enforces spectral sparsity, emphasizes the melody contour and attenuates interfering accompanying voices. To cover a wide range of spectral complexity reduction levels a new experimental design for listening experiments was introduced. It allows CI users to select the preferred level of spectral complexity reduction interactively and in real-time. Ten adult CI recipients with post-lingual bilateral profound sensorineural hearing loss and CI experience of at least 6 months were enrolled in the study. In eight consecutive sessions over a period of 4 weeks they were asked to choose their preferred version out of 10 different complexity settings for a total number of 16 recordings of classical western chamber music. As the experiments were performed in consecutive sessions we also studied a potential long term effect. Therefore, we investigated the hypothesis that repeated engagement with music signals of reduced spectral complexity leads to a habituation effect which allows CI users to deal with music signals of increasing complexity. Questionnaires and tests about music listening habits and musical abilities complemented these experiments. The participants significantly preferred signals with high spectral complexity reduction levels over the unprocessed versions. While the results of earlier studies comprising only two preselected complexity levels were generally confirmed, this study revealed a tendency toward a selection of even higher spectral complexity reduction levels. Therefore, spectral complexity reduction for music signals is a useful strategy to enhance music enjoyment for CI users. Although there is evidence for a habituation effect in some subjects, such an effect has not been significant in general.

Project description:Physiological processes-such as, the brain's resting-state electrical activity or hemodynamic fluctuations-exhibit scale-free temporal structuring. However, impacts common in biological systems such as, noise, multiple signal generators, or filtering by transport function, result in multimodal scaling that cannot be reliably assessed by standard analytical tools that assume unimodal scaling. Here, we present two methods to identify breakpoints or crossovers in multimodal multifractal scaling functions. These methods incorporate the robust iterative fitting approach of the focus-based multifractal formalism (FMF). The first approach (moment-wise scaling range adaptivity) allows for a breakpoint-based adaptive treatment that analyzes segregated scale-invariant ranges. The second method (scaling function decomposition method, SFD) is a crossover-based design aimed at decomposing signal constituents from multimodal scaling functions resulting from signal addition or co-sampling, such as, contamination by uncorrelated fractals. We demonstrated that these methods could handle multimodal, mono- or multifractal, and exact or empirical signals alike. Their precision was numerically characterized on ideal signals, and a robust performance was demonstrated on exemplary empirical signals capturing resting-state brain dynamics by near infrared spectroscopy (NIRS), electroencephalography (EEG), and blood oxygen level-dependent functional magnetic resonance imaging (fMRI-BOLD). The NIRS and fMRI-BOLD low-frequency fluctuations were dominated by a multifractal component over an underlying biologically relevant random noise, thus forming a bimodal signal. The crossover between the EEG signal components was found at the boundary between the ? and ? bands, suggesting an independent generator for the multifractal ? rhythm. The robust implementation of the SFD method should be regarded as essential in the seamless processing of large volumes of bimodal fMRI-BOLD imaging data for the topology of multifractal metrics free of the masking effect of the underlying random noise.

Project description:Subjective complexity has been found to be related to hedonic measures of preference, pleasantness and beauty, but there is no consensus about the nature of this relationship in the visual and musical domains. Moreover, the affective content of stimuli has been largely neglected so far in the study of complexity but is crucial in many everyday contexts and in aesthetic experiences. We thus propose a cross-domain approach that acknowledges the multidimensional nature of complexity and that uses a wide range of objective complexity measures combined with subjective ratings. In four experiments, we employed pictures of affective environmental scenes, representational paintings, and Romantic solo and chamber music excerpts. Stimuli were pre-selected to vary in emotional content (pleasantness and arousal) and complexity (low versus high number of elements). For each set of stimuli, in a between-subjects design, ratings of familiarity, complexity, pleasantness and arousal were obtained for a presentation time of 25 s from 152 participants. In line with Berlyne's collative-motivation model, statistical analyses controlling for familiarity revealed a positive relationship between subjective complexity and arousal, and the highest correlations were observed for musical stimuli. Evidence for a mediating role of arousal in the complexity-pleasantness relationship was demonstrated in all experiments, but was only significant for females with regard to music. The direction and strength of the linear relationship between complexity and pleasantness depended on the stimulus type and gender. For environmental scenes, the root mean square contrast measures and measures of compressed file size correlated best with subjective complexity, whereas only edge detection based on phase congruency yielded equivalent results for representational paintings. Measures of compressed file size and event density also showed positive correlations with complexity and arousal in music, which is relevant for the discussion on which aspects of complexity are domain-specific and which are domain-general.

Dataset Information

Decomposing Complexity Preferences for Music.

Publications

Decomposing Complexity Preferences for Music.

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