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Relationships between vocal pitch perception and production: a developmental perspective.


ABSTRACT: The purpose of this study was to examine the relationships between vocal pitch discrimination abilities and vocal responses to auditory pitch-shifts. Twenty children (6.6-11.7 years) and twenty adults (18-28 years) completed a listening task to determine auditory discrimination abilities to vocal fundamental frequency (fo) as well as two vocalization tasks in which their perceived fo was modulated in real-time. These pitch-shifts were either unexpected, providing information on auditory feedback control, or sustained, providing information on sensorimotor adaptation. Children were subdivided into two groups based on their auditory pitch discrimination abilities; children within two standard deviations of the adult group were classified as having adult-like discrimination abilities (N = 11), whereas children outside of this range were classified as having less sensitive discrimination abilities than adults (N = 9). Children with less sensitive auditory pitch discrimination abilities had significantly larger vocal response magnitudes to unexpected pitch-shifts and significantly smaller vocal response magnitudes to sustained pitch-shifts. Children with less sensitive auditory pitch discrimination abilities may rely more on auditory feedback and thus may be less adept at updating their stored motor programs.

SUBMITTER: Heller Murray ES 

PROVIDER: S-EPMC7054315 | biostudies-literature | 2020 Mar

REPOSITORIES: biostudies-literature

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Relationships between vocal pitch perception and production: a developmental perspective.

Heller Murray Elizabeth S ES   Stepp Cara E CE  

Scientific reports 20200303 1


The purpose of this study was to examine the relationships between vocal pitch discrimination abilities and vocal responses to auditory pitch-shifts. Twenty children (6.6-11.7 years) and twenty adults (18-28 years) completed a listening task to determine auditory discrimination abilities to vocal fundamental frequency (f<sub>o</sub>) as well as two vocalization tasks in which their perceived f<sub>o</sub> was modulated in real-time. These pitch-shifts were either unexpected, providing informatio  ...[more]

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