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Comparing methods for the modelling of boundary-driven streaming in acoustofluidic devices.

ABSTRACT: Numerical simulations of acoustic streaming flows can be used not only to explain the complex phenomena observed in acoustofluidic manipulation devices, but also to predict and optimise their performances. In this paper, two numerical methods based on perturbation theory are compared in order to demonstrate their viability and applicability for modelling boundary-driven streaming flows in acoustofluidic systems. It was found that the Reynolds stress method, which predicts the streaming fields from their driving terms, can effectively resolve both the inner and outer streaming fields and can be used to demonstrate the driving mechanisms of a broad range of boundary-driven streaming flows. However, computational efficiency typically limits its useful application to two-dimensional models. We highlight the close relationship between the classical boundary-driven streaming vortices and the rotationality of the Reynolds stress force field. The limiting velocity method, which ignores the acoustic boundary layer and solves the outer streaming fields by applying the 'limiting velocities' as boundary conditions, is more computationally efficient and can be used for predicting three-dimensional outer streaming fields and provide insight into their origins, provided that the radius of curvature of the channel surfaces is much greater than the acoustic boundary layer thickness ( ?v ). We also show that for the limiting velocity method to be valid the channel scales must exceed a value of approximately 100 ?v (for an error of ~5% on the streaming velocity magnitudes) for the case presented in this paper. Comparisons of these two numerical methods can provide effective guidance for researchers in the field of acoustofluidics on choosing appropriate methods to predict boundary-driven streaming fields in the design of acoustofluidic particle manipulation devices.

SUBMITTER: Lei J

PROVIDER: S-EPMC7089686 | biostudies-literature | 2017

REPOSITORIES: biostudies-literature

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Comparing methods for the modelling of boundary-driven streaming in acoustofluidic devices.

Lei Junjun J Glynne-Jones Peter P Hill Martyn M

Microfluidics and nanofluidics 20170207 2

Numerical simulations of acoustic streaming flows can be used not only to explain the complex phenomena observed in acoustofluidic manipulation devices, but also to predict and optimise their performances. In this paper, two numerical methods based on perturbation theory are compared in order to demonstrate their viability and applicability for modelling boundary-driven streaming flows in acoustofluidic systems. It was found that the Reynolds stress method, which predicts the streaming fields fr ...[more]

PMID: 32226356

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Project description:Many sound sources can only be recognised from the pattern of sounds they emit, and not from the individual sound events that make up their emission sequences. Auditory scene analysis addresses the difficult task of interpreting the sound world in terms of an unknown number of discrete sound sources (causes) with possibly overlapping signals, and therefore of associating each event with the appropriate source. There are potentially many different ways in which incoming events can be assigned to different causes, which means that the auditory system has to choose between them. This problem has been studied for many years using the auditory streaming paradigm, and recently it has become apparent that instead of making one fixed perceptual decision, given sufficient time, auditory perception switches back and forth between the alternatives-a phenomenon known as perceptual bi- or multi-stability. We propose a new model of auditory scene analysis at the core of which is a process that seeks to discover predictable patterns in the ongoing sound sequence. Representations of predictable fragments are created on the fly, and are maintained, strengthened or weakened on the basis of their predictive success, and conflict with other representations. Auditory perceptual organisation emerges spontaneously from the nature of the competition between these representations. We present detailed comparisons between the model simulations and data from an auditory streaming experiment, and show that the model accounts for many important findings, including: the emergence of, and switching between, alternative organisations; the influence of stimulus parameters on perceptual dominance, switching rate and perceptual phase durations; and the build-up of auditory streaming. The principal contribution of the model is to show that a two-stage process of pattern discovery and competition between incompatible patterns can account for both the contents (perceptual organisations) and the dynamics of human perception in auditory streaming.

Dataset Information

Comparing methods for the modelling of boundary-driven streaming in acoustofluidic devices.

Publications

Comparing methods for the modelling of boundary-driven streaming in acoustofluidic devices.

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