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A general theory of polymer ejection tested in a quasi two-dimensional space.

ABSTRACT: A general ejection theory of polymer is developed in a two- and three-dimensional space. A polymer is confined initially in a cavity and ejects spontaneously to the outer space through a nanopore channel without the help of any external stimulus. A reflective wall boundary is set at the pore entrance to prevent the falling of the head monomer of chain into the cavity. Three stages are distinguished in a process: (1) an entering stage, in which the head monomer enters the pore to search for a way to traverse the pore channel, (2) a main ejection stage, in which the chain body is transported from the cavity to the outer space, (3) a leaving stage, in which the tail monomer passes through and leaves the pore channel. Depending on the number of the monomers remaining in the cavity, the main ejection stage can be divided into the confined and the non-confined stages. The non-confined stage can be further split into the thermal escape and the entropic pulling stages. The Onsager's variational principle is applied to derive the kinetics equation of ejection. The escape time is calculated from the corresponding Kramers' escape problem. Extensive molecular dynamics simulations are then performed in a quasi two-dimensional space to verify the theory. The variation of the ejection speed is carefully examined. The decreasing behavior of the number of monomers in the cavity is studied in details. The scaling properties of the spending time at each processing stage are investigated systematically by varying the chain length, the cavity diameter, and the initial volume fraction of chain. The results of simulation support firmly the predictions of the theory, cross-checked in the studies of various topics. In combining with the previous investigations in the three-dimensional space, the generalized theory is very robust, able to explain the two seemly different phenomena, polymer ejection and polymer translocation, together under the same theoretical framework in the two space dimensions.

SUBMITTER: Hsiao PY

PROVIDER: S-EPMC8289874 | biostudies-literature |

REPOSITORIES: biostudies-literature

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Project description:A perceptual space is a mental workspace of points in a sensory domain that supports similarity and difference judgments and enables further processing such as classification and naming. Perceptual spaces are present across sensory modalities; examples include colors, faces, auditory textures, and odors. Color is perhaps the best-studied perceptual space, but it is atypical in two respects. First, the dimensions of color space are directly linked to the three cone absorption spectra, but the dimensions of generic perceptual spaces are not as readily traceable to single-neuron properties. Second, generic perceptual spaces have more than three dimensions. This is important because representing each distinguishable point in a high-dimensional space by a separate neuron or population is unwieldy; combinatorial strategies may be needed to overcome this hurdle. To study the representation of a complex perceptual space, we focused on a well-characterized 10-dimensional domain of visual textures. Within this domain, we determine perceptual distances in a threshold task (segmentation) and a suprathreshold task (border salience comparison). In N=4 human observers, we find both quantitative and qualitative differences between these sets of measurements. Quantitatively, observers' segmentation thresholds were inconsistent with their uncertainty determined from border salience comparisons. Qualitatively, segmentation thresholds suggested that distances are determined by a coordinate representation with Euclidean geometry. Border salience comparisons, in contrast, indicated a global curvature of the space, and that distances are determined by activity patterns across broadly tuned elements. Thus, our results indicate two representations of this perceptual space, and suggest that they use differing combinatorial strategies.To move from sensory signals to decisions and actions, the brain carries out a sequence of transformations. An important stage in this process is the construction of a "perceptual space" - an internal workspace of sensory information that captures similarities and differences, and enables further processing, such as classification and naming. Perceptual spaces for color, faces, visual and haptic textures and shapes, sounds, and odors (among others) are known to exist. How such spaces are represented is at present unknown. Here, using visual textures as a model, we investigate this. Psychophysical measurements suggest roles for two combinatorial strategies: one based on projections onto coordinate-like axes, and one based on patterns of activity across broadly tuned elements scattered throughout the space.

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A general theory of polymer ejection tested in a quasi two-dimensional space.

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